Mentor Programs


STARTING POINT
— All artists are given a one hour eval­u­a­tion with a pro­fes­sional artist and cre­ative spe­cial­ist to deter­mine if they are ready to move on. We rec­om­mend a path for them.

TURNING POINT – Artists who are not quite ready to go on to a pro­fes­sional sta­tus are given a 10–15 hour men­tor­ship with a pro­fes­sional artist and busi­ness work­shops to help guide them to the next level of their training.

NOLAN COPE, an aspir­ing writer, is 13 and has just com­pleted a Turn­ing Point men­tor­ship with JAMES KAHN. Nolan has a head start on his novel. An out­line of all the chap­ters and the first 6 are written


THE MENTORSHIP
– Pair­ing emerg­ing artists with a pro­fes­sional men­tor in the com­mu­nity for up to 100 hours of guid­ance. In one of our men­tor­ships, pho­tog­ra­pher Mac­duff Ever­ton (National Geo­graphic, Conde Nast, and recently pub­lished “The Book of Santa Bar­bara”) men­tored Elite Henen­son, tak­ing her on photo shoots, giv­ing her assign­ments, and guid­ing and encour­ag­ing her. Elite taught a work­shop to 8–10 year olds at Santa Bar­bara Char­ter School assist­ing them in pho­tograph­ing their friends and a brief tuto­r­ial in Pho­to­shop. The qual­ity of her work has soared.

Mac­Duff Ever­ton men­tors Elite Henen­son in photography

 
PEER TO PEER
– Skilled high school stu­dents teach art tech­niques to under­served younger stu­dents in exchange for Com­mu­nity Ser­vice Hours. 13 year old Mitzy wrote us a let­ter ask­ing us to find her a ‘tutor’ because her par­ents could not afford flute lessons. We matched her with Kelsey, who plays flute with Dos Pueb­los Orches­tra and Youth Sym­phony.  They now meet on a weekly basis work­ing on tech­nique and music the­ory. In a happy con­clu­sion, Mitzy has been invited to play a duet with Kelsey at her year-end recital in June with her teacher.  We are devel­op­ing this pro­gram for sum­mer to facil­i­tate more suc­cess sto­ries like Mitzy and Kelsey.

Mitzy takes a flute les­son from Kelsey

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